Archive of a bi-weekly newspaper column on vernacular architecture, written for the Lawrence, MA Eagle-Tribune, from 1988-1999. In 1994, the column received a Massachusetts Historic Preservation Award.
A Note of Thanks
This column would not exist if Dan Warner, editor of the Eagle-Tribune, hadn't taken a chance on me and my ideas.
Features editor Mary Fitzgerald then helped shape the column by giving me 2 rules: Remember that the Sunday paper is entertainment, and use only one word per column which has to be looked up in a dictionary. I am deeply grateful for Mary's superb guidance in suggesting that we add maps, encouraging me to keep rewriting when I floundered, and especially supporting me when I began to write about the whole Valley.
In 1999, I stopped writing the column in order to devote more time to my aging parents.
Features editor Mary Fitzgerald then helped shape the column by giving me 2 rules: Remember that the Sunday paper is entertainment, and use only one word per column which has to be looked up in a dictionary. I am deeply grateful for Mary's superb guidance in suggesting that we add maps, encouraging me to keep rewriting when I floundered, and especially supporting me when I began to write about the whole Valley.
In 1999, I stopped writing the column in order to devote more time to my aging parents.
#41 Clark House, 247 Main St., N. Andover
Clark House shows new style devised via US ingenuity
The files of the North Andover Historical Society report:
"In July of 1880, Francis G. Clark, a fancy goods store owner in Lawrence, made an agreement with Henry C. Couch, a Lawrence contractor, for the construction of a dwelling house in North Andover according to the plans of George C. Adams, an architect, also of Lawrence.The cost of the house was to be $3,475, excavating and grading by M.G. Smith of Lawrence, $250."
What they built is one of the best examples of the 'stick style' of Victorian architecture in the Valley. The name refers to the use of boards - sticks - to break up the wall surface. The decoration on the outside reflects the structure on the inside.
In earlier times, houses had been framed with posts and beams as barns are. But by 1880, we cut our lumber, 2x4's, 2x8's, etc. to form the walls and floors. The new method allowed much more flexible design. In the Clark House you see the change from simple square shapes: an angled corner tower, a recessed porch, dormers with pronounced eaves. While other Victorian syles used the flexible construction to copy European architecture, the stick style celebrated this new American technology, a stick-built house.
George Adams, the architect of this house, designed wonderful buildings all over New England. He liked to improvise upon the latest Victorian style, adding his variations. At the Clark House he reinforces the stick pattern with the porch railings and softens the angularity of the style with curves porch brackets and trim work in the gables. His iron cresting at the ridge distracts the eye from the massive size of the roof.
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