Archive of a bi-weekly newspaper column on vernacular architecture, written for the Lawrence, MA Eagle-Tribune, from 1988-1999. In 1994, the column received a Massachusetts Historic Preservation Award.
A Note of Thanks
This column would not exist if Dan Warner, editor of the Eagle-Tribune, hadn't taken a chance on me and my ideas.
Features editor Mary Fitzgerald then helped shape the column by giving me 2 rules: Remember that the Sunday paper is entertainment, and use only one word per column which has to be looked up in a dictionary. I am deeply grateful for Mary's superb guidance in suggesting that we add maps, encouraging me to keep rewriting when I floundered, and especially supporting me when I began to write about the whole Valley.
In 1999, I stopped writing the column in order to devote more time to my aging parents.
Features editor Mary Fitzgerald then helped shape the column by giving me 2 rules: Remember that the Sunday paper is entertainment, and use only one word per column which has to be looked up in a dictionary. I am deeply grateful for Mary's superb guidance in suggesting that we add maps, encouraging me to keep rewriting when I floundered, and especially supporting me when I began to write about the whole Valley.
In 1999, I stopped writing the column in order to devote more time to my aging parents.
#8 - Thomas Eaton House, 156 Hampstead St., Methuen, c1720
1720 house has simple beauty
The Thomas Eaton House in Methuen is an example of the New England colonial farmhouse, a style that inspired many reproductions. Located at 156 Hampstead St., it was built about 1720 - because it was built when the United States was still an English colony, the style is called 'colonial'.
This is a quiet, stable house, sited on a slight rise, facing south with a view down the road and across the land. The large center chimney, serving fireplaces in each room, and the wood construction tell us of local conditions, cold winters and abundant forest. The house's simplicity tells us the owners had neither extra cash nor time - its beauty is created entirely by the placement and size of its pieces, mainly the door and windows. But their impact is further enhanced by the clapboard (here covered by oversize siding) and the relationship of the facade, roof, and chimney to one another. The settlers brought this symmetry and sense of proportion when they migrated from England.
Visually, the Thomas Eaton House can be dated at about 1720 because of its small scale. The windows, which sit right under the roof line, have small panes and are small overall, because glass was expensive and difficult to make. There is a story (unproven) that colonists were taxed by the size of their windows: If one were rich enough to afford a lot of glass, one would also pay more taxes. Other interesting details include that the front door has been updated (probably before the American Revolution) and the outbuildings are Victorian.
This house is still surrounded by its original field, but even when a town has grown in around such a house, you can pick it out as you drive up an old street - not just by its square solid shape and centered front door, but by the way it faces the sun and looks down the road, greeting the approaching traveler.
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